The moment she thinks of the way to do it, a little noise
gurgles up from her throat. A chuckle, she tells herself. Certainly not a
cackle. She coughs politely and pats her mouth with her table napkin.
“I will be busy this morning,” she announces to the room. As
she rises, a silent servant glides forward to pull the chair out of the way of
her skirts noiselessly.
She reaches for a large, shiny red apple, so perfect as to
look almost artificial. “I am not to be disturbed.”
Her steward opens his mouth to protest but she quells him
with a look. She has duties this morning, she is aware. He will deal with them
though. He is used to her moods and she chose him for his diplomacy.
No one but she has ever been in the secret room. It’s a room
that should not really exist at all. There’s an entrance, certainly. But if you
stop to think about it, your brain would tell you that this door, positioned as
it is in the outer wall of the castle, could not lead to anything but a tumble
into the moat. There’s something about this door though that makes your brain
slide over it. It’s perfectly visible and yet no maidservant ever thinks, ‘I
must clean in there today.’ When the steward comes looking for the queen, he
doesn’t stop to tap at this door.
She lays the apple on the table. Beauty for the beauty. The
irony of tempting the girl with an apple is not lost on her. Some girls would
fall for laces or ribbons or sweetmeats, but not this one. For this one, the
plain innocence of an apple will do it.
The difficulty will be to corrupt this apple without
tainting it. It can show no blemish that might put the girl off. The sweet,
wholesome smell must stay the same. The poison must be hidden under the
perfection, unnoticed until you bite into it, a perfect fruit that is rotten at
the core.
They would not know their idle, beautiful queen, the other
inhabitants of the palace, if they could see her at work. She ties back her
hair and rolls up her sleeves. With fierce concentration, she flips through the
pages of dusty books and measures morsels of this to add to her bowl. She
grinds, she mixes, she drips in liquid, heats, reduces. She knows what she is
doing. This is not the first time she has brewed a poison.
At last, she lifts the phial of viscous green to the light
to inspect it and is satisfied. She draws some of the potion into a syringe and
reaches for the apple. The needle goes in alongside the stalk and the perfect
dark green leaf that clings to it. She forces the poison into the apple.
It is done. She lifts the apple to the light, turns it. Nothing
but a tiny hole to show her work, and no one looking at this gorgeous fruit is
going to find that.
There’s no doubt this time. The noise that she makes in her
delight is clearly a cackle.
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