Jacqueline Wilson is to publish an updated version of Susan
Coolidge’s What Katy Did in July (see
Bookseller article http://t.co/v97KuTDMoQ),
on the back of her success last year with Four Children and It, a contemporary reworking of E Nesbit’s Five Children and It. Why has she done
it? Presumably the idea is to bring the stories she loved as a child to modern
readers. Either that, or else after writing a hundred books she’s running out
of ideas.
I’m saddened by the idea of this. What Katy Did isn’t a hard book to read, and Five Children and It is perfectly simple. Certainly there are some
bits of language that might read oddly to a modern child's ears and they might come across mention of ways of doing things or objects or events that are
unfamiliar. There’s always the possibility with old books like these
that children are going to be exposed to attitudes that aren’t acceptable any
more. But why should that be a problem? Surely coming across the unfamiliar in
books, struggling to understand it, is how we learn.
It’s not that I think that original texts are sacred and
shouldn’t be tampered with. If that were true we’d never have ended up with
Jean Rhys’s Wide Sargasso Sea, or
Peter Carey’s Jack Maggs or Helen
Fielding’s Bridget Jones or Clueless. But what these examples do is
take something of the original and use it to make a new original, not simply an easy-read version. If an author can't add something of their own, they ought to leave well alone.
I’m not sure whether Jacqueline Wilson's intention is to do the same
for these classic children's books as those abridged versions of classics they sometimes give children
to read in schools. I hope not, because why would you do that? As if there weren’t plenty of fabulous books out there accessible to readers of all abilities. I can’t
judge because Wilson's Katy isn't out yet and I haven’t read
her Four Children and It, though I have to admit, I was curious when it came out, but had no excuse to
buy it as my daughters have grown out of her. I’d like to think Jacqueline Wilson and her publishers believe that
readers will read her versions and be brought around to the originals, on the same
principle that people who see a film or TV series they like will then go out and buy
the book. Maybe they will. It's possible, I suppose.
In my experience of
working with children in primary schools I’ve noticed that a lot of children go
through a ‘Jacqueline Wilson phase’. It isn’t always Jacqueline Wilson (when I
was a child, it was Enid Blyton) and it isn’t always girls, but few other authors
lend themselves quite so much to this phase because few are quite so prolific.
During this time, unless forced, they pretty much won’t read anything else by
any other author, but they will read and read and read from their author of
choice. It’s not a bad thing. It’s a sort of initiation into being a reader, where a child suddenly realises the joy to be had from reading and
relishes the passage of story from page to brain. And when they come out of the
phase, suddenly the whole world of books is open to them. And when they do,
maybe they’ll remember that in amongst all the other stories that JW gave them
there was something about a girl called Katy, and look, here on the shelf there’s
this old book, What Katy Did, maybe
that’ll be good …
